![]() Any white source can work in a tight spot.Use gray card for optimal colors and skin tones.Use auto for run-and-gun shooting if necessary.Avoid auto white balance when possible.Run-and-gun shooting can still rely on auto and be just fine. In some cases, such as documentaries where you don’t have control over the scenes and might move between locations in a single shot you’ll want it to get close. This doesn’t mean you can’t ever use auto white balance, just that you need to be careful. You don’t have to erase all the old measurements though if you have a custom spot to spare. These won’t save you from random or new lighting and having to recalculate a custom point. If you have multiple shooting locations in your home or studio with different lights this would be a good example of why you may want to do that and have them saved. This means you can configure multiple quick custom points for different scenarios. ![]() You actually have access to three custom white balance settings with Sony cameras. ![]() However, a simple white source can do the trick in a pinch. More Details In Stock Share Print 1,148.00 Price 1,198.00 Holiday Savings 50.00 96 /mo. These provide a perfectly neutral tone perfectly tuned for cameras. A versatile starter set, the Sony a6400 Mirrorless Camera with 55-210mm Lens Kit from B&H bundles the flexible mirrorless body with the E 55-210mm f/4.5-6.3 OSS telephoto zoom lens. The best way to go is with a gray card – a real one that is calibrated and measured. In Sony cameras, you can actually correct for tint, such as green/magenta shifts that aren’t uncommon. Plus, anything that happens during a clip can cause unwanted changes, so relying on auto is far from a perfect solution too.Ĭustom white balances are useful for more than just being more accurate. Harv Video/Audio Stuff believes getting this right is arguably more important on Sony Alpha cameras, such as the a7S III, with their more delicate color science. Nailing the white balance during recording can help save time at least and ensure you don’t get unnatural-looking skin tones and colors at best. With raw photographs, you can always adjust the white balance in post without any negative side effects, and unless you are working with fully compatible raw video formats you will not enjoy the same benefits in filmmaking. White balance is more important than it might seem, especially coming from a photo background.
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